Bandy Dorner, home from Vietnam, awakes with his car mired in a canal, his cabin reduced to ashes, and his pregnant wife preparing to leave town with her lover. Within moments, a cop lies bleeding on the road. Eighteen years later, Bandy is released from prison. His parents are gone, but on the derelict family ranch, Bandy faces a different reunion. Tracy, his now teenaged son, has come to claim the father he’s never known. Iona, Bandy’s ex-wife, has returned on the heels of her son. All three are damaged, hardened, haunted. But warily, desperately, they move in a slow dance around each other, trying to piece back together a family that never was; trying to discover if they belong together at all.

With unflinching honesty and restrained beauty, Brian Hart explores the possibilities and limitations of his characters as they struggle toward a shared future. Like a traditional Greek tragedy, suffused with the mud, ice, and rock of the raw Idaho landscape, THEN CAME THE EVENING is tautly plotted and emotionally complex—a stunning debut.

Alyson Hagy explores the hardscrabble lives and terrain of America’s least-populous state. Beyond the tourist destinations of Jackson Hole and Yellowstone lies a less familiar and wilder frontier defined by the tension wrought by abundance and scarcity. A young runaway with a big secret slips across the state border and steals a collie pup from the Meeker County fairgrounds. A chorus of trainmen details a day spent laying rail across the Wyoming Territory, while contemporary voices describe life in the oil and gas fields near Gillette. A traveling preacher is caught up in a deadly skirmish between cattle rustlers and ranchers on his way from Rawlins to the Indian reservation on the Popo Agie River. Locals and activists clash when a tourist makes an archaeological discovery near Hoodoo Mountain.

With spirited, lyrical prose, Hagy expertly weaves together Wyoming’s colorful pioneer and speculator history with the not-often- heard voices of petroleum workers, thrill-seeking rock climbers, and those left behind by the latest boom and bust.

"In her fourth collection of short stories, Hagy explores the lonely state of the Equality State, with its literally and figuratively haunted inhabitants. Hagy has an ear for the locals and a feel for the vast lonely landscape, capturing modern issues like small ranchers' struggles with wolves and environmentalists, and the small details of late nights in pickups and the gradual erosion of Wyoming's landscape. The stories range in tone from the moody mysteriousness of “Border,” about a drifter boy and his dog, and the grimness of the life of early rail workers in “Brief Lives of the Trainmen,” to humor, as in “Superstitions of the Indians.” [This collection ...] features a strong, dark current of empty lands, wandering spirits, and dread."
-Publishers Weekly