A weekend long convocation at the borderland between the arts and sciences. More info about Wonder Cabinet can be found at the Tamarind website here.
About the event:
The past few decades have seen ever-more fertile interpenetrations between the artsand sciences, which is to say a return to the way things used to be in the times of Michelangelo and Leonardo, before the artificial division of those realms about three hundred years ago. Thus, to take just one example, Matthew Shlian, the first artist awarded the Frederick Hammersley Artist Residency at Tamarind Institute, is as at home fashioning his own paper-folding marvels as he is consulting with microbiologists on protein folding or materials scientists on molecular arrays.
In the spirit of Shlian’s work, Tamarind will host a Wonder Cabinet in Albuquerque, April 20-22, 2018. Longtime New Yorker staff-writer Lawrence Weschler, director emeritus of both the New York Institute for the Humanities at NYU, and the Chicago Humanities Festival will curate a weekend of presentations, panels, demonstrations, and astonishments of all sorts. This time out, he will be joined as copresenter by Robert Krulwich, television and NPR correspondent and the cofounder of “Radiolab.”
FRIDAY, APRIL 20, 2018
Tamarind Institute, 2500 Central Avenue SE
FINDING THE SQUARE IN THE STONE: LITHOGRAPHIC EXPLORATIONS OF FREDERICK HAMMERSLEY
Ash Armenta, Tamarind Master Printer
George Pearl Hall, UNM School of Architecture and Planning
Tamarind Director will open the Albuquerque Wonder Cabinet, and Albuquerque Mayor Tim Keller will offer a brief welcoming message.
ART & SCIENCE AS PARALLEL AND DIVERGENT WAYS OF KNOWING
Lawrence Weschler, author and director emeritus, New York Institute for the Humanities at New York University will open the Wonder Cabinet with a lavishly illustrated talk (originally fashioned as the keynote for a National Science Foundation symposium).
Tamarind Institute (RSVP not required)
OPENING RECEPTION TWO-FOLD: A PAIRING OF FREDERICK HAMMERSLEY + MATTHEW SHLIAN
Featuring new three-dimensional lithographs by Matthew Shlian, alongside path breaking computer drawings by Frederick Hammersley from back in the sixties, Two-fold will open with the unveiling of Matthew Shlian’s latest creation in Tamarind’s Central-facing window.
SATURDAY, APRIL 21 —
SUNDAY, APRIL 22
The Saturday and Sunday portion of the Wonder Cabinet will take place at the National Hispanic Cultural Center, 1701 4th Street SW, where Robert Krulwich, the marvelous co-host of NPR’s Radiolab program, will join Weschler as moderator.
SATURDAY, 9:30 AM – 12:15 PM
(doors open at 9)
A CELEBRATION OF FREDERICK HAMMERSLEY
The Wonder Cabinet will kick off with a celebration evoking the person and art of the eminent late Albuquerque-based artist Frederick Hammersley, a charmingly sly lay-mathematician in his own right, whose Foundation is helping to sponsor this entire weekend. Speakers will include Elizabeth East, Director of LA Louver, and Joseph Traugott, independent curator and writer, and member of the Frederick Hammersley Foundation Board of Directors.
Optical Marvels will feature the Optics Division of the Metabolic Studio’s incredible Liminal Camera — a giant camera fashioned out of a shipping container and mounted on the back of a flatbed truck that travels the country in search of fresh vantages. Visitors will be encouraged to enter the camera to see projections of the world turned upside-down. Optics Division artists Lauren Bon, Richard Nielsen, and Tristan Duke will also display their room-length photographs and describe in particular the way they used the camera to photograph desert scapes whose negatives they then developed in the polluted muds of the deserts themsleves. Trevor and Ryan Oakes, the so-called “Perspective Twins,” celebrated for their invention of a method for rendering camera-obscura-exact pen and ink drawings, deploying no other equipment than their own two eyes, will then display instances of same; and Blaise Aguera y Arcas, the TedTalk superstar and inventor of Photosynth, currently a leader in Google’s machine intelligence, computer vision and computational photography initiatives, will join in.
SATURDAY, 1:30 – 6:30 PM
FOLDINGS AND OTHER MATHEMATICAL AND TOPOLOGICAL SPLENDORS
This session will begin with a talk by paper engineer extraordinaire Matthew Shlian, after which he will be in dialog with his collaborator at the University of Michigan, chemical engineer and materials scientist, Sharon Glotzer. Tristan Duke will return to display some confounding geometric constructs of his own, including his hand-etched holograms (a technology he developed for his fine art but has been applying to the etching of holograms on vinyl records for albums ranging from Jack White to Star Wars). Walter Murch, all around polymath and arguably one of the greatest film and sound editors in the world today, will Skype in with a slide lecture propounding an intriguing new theory about the origins, placement and function of Egypt’s ancient pyramids.
BRAIN AND COSMOS, DENDRITES AND DECISION TREES
Columbia University neuroscientist Carl Schoonover (Portraits of Mind) will share his laptop full of extraordinary microscopic images of the brain matching it off against those found in the laptop of Michael Benson, the maven behind such books of telescopic and space probe photographic splendors as Beyond, Far Out andCosmigraphics. Schoonover will then stick around to engage with New York-based artist Beth Campbell, whose art consists of complex decision trees graphing the implications of her own everyday dilemmas, in a conversation welling out from the question of whether we think the way we do because of the way our brains are, as it were, wired?
SUNDAY, 10 AM – NOON
(doors open at 9:30)
PARTICLE PHYSICS AND NATIVE AMERICAN COSMOLOGIES
Wrapping up our Saturday program, this session will feature Taos-based artist Agnes Chavez, who is currently collaborating with CERN to create an installation to visualize data from the Large Hadron Collider in Switzerland, with Greg Cajete, a Tewa Indian from Santa Clara Pueblo and the director of Native American Studies at The University of New Mexico, in a conversation about Chavez, her work, and its resonances with Native American cosmologies.
BIG DATA AND ARTISTIC INTERVENTIONS IN PUBLIC AWARENESS
Albuquerque itself, and in particular The University of New Mexico, happens to be one of the nation’s most fertile centers for the interpenetration of science and art, and this session will shine a special light on some of the area’s most vivid instances, with designer Alex Webb, chair of the Computational Ecologies program in the School of Architecture and Planning at UNM, and artist, engineer and ecologist Andrea Polli, who chairs the Social Media Workgroup, a lab in the University’s Center for Advanced Research Computing joined by R. Luke DuBois, composer, artist, and performer visiting from New York University.
SUNDAY, 1 – 3 PM
2001: A SPACE ODYSSEY
A CELEBRATION OF THE FILM’S 50TH ANNIVERSARY
The weekend will culminate with a celebration of the iconic film masterpiece 2001: A Space Odyssey, on the occasion of its fiftieth anniversary, with Michael Benson, author of the just released book Space Odyssey: Stanley Kubrick, Arthur C Clarke and the Making of a Masterpiece, joined in conversation by Weschler, Krulwich, and other panelists. David Krakauer will also offer some related thoughts on monoliths through the ages.